| From: Songs of The Bride, The Hague satyres. | 
			
				
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					| All is in flux! | 
				
			
					| ![[Bruid]](images/terrein.gif ) | 
			
				 
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 | All is in flux. | 
				
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 | Nothing completed. | 
				
				
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 | All that is deemed ugly | 
				
				
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 | is presently pretty. | 
				
				
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 | What Time did assemble | 
				
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 | is dissolved once again. | 
				
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 | Procedures once smoothly | 
				
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 | are executed badly. | 
				
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 | Expansion and adjustment | 
					
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 | are needed | 
				
				
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 | to give birth to creation and | 
				
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 | to appeal to the imagination! | 
					
			
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 | The Large Glass for example | 
				
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 | as designed by Marcel Duchamp | 
				 
				
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 | is a Monument to Incompletenes: | 
				
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 | In the Bride Stripped Bare by her Bachelors, Even | 
				
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 | one Bachelor is missing, | 
				
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 | as is The Boxing Match. | 
				
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 | And the Terrain with the Drips and the Splashes | 
				
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 | planned somewhere in the lower right | 
				
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 | cannot be located. | 
				
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 | Nevertheless the Bridal System coexisted | 
				
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 | with the Bachelors Apparatus | 
				
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 | -each in separate panel- | 
				
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 | in felicitous harmony: | 
				
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 | Their parts attuned to one another | 
				
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 | their sparkling rays converged | 
				
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 | from both sides in sympathy. | 
				
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 | It was the Bride in the Upper Section of the Glass | 
				
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 | who with her Inscriptions gave the Sign | 
				
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 | where upon the Bachelors filled their forms | 
				
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 | with Illuminating Gas, | 
				
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 | so that they could transform into vertical | 
				
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 | the horizontal movement of the lamenting Chariot. | 
				
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 | Their trials and tests | 
							
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 | were overcome with grace. | 
											
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 | Their courtesy exemplary. | 
				
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 | -After all their uniforms were filled | 
				
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 | with the finest matter!- | 
				
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 | They testified -by chanting loudly- | 
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 | that it was the Bride who led the way, | 
				
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 | that it was she who gave them inspiration. | 
				
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 | The chanting from the Chariot was | 
				
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 | monotonous, but genuine, | 
					
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 | grinding their own chocolate | 
					
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 | politely awaiting their own color! | 
				
				
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 | But at the turn of this century | 
				
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 | it must be said and it must be sung | 
				
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 | Where have all the Good Times gone | 
					
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 | and the Good Times they are changing. | 
				
					| ![[Vrijgezellen]](images/filtersglowing.gif) | 
					
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 | The song of the Bride and | 
				
				
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 | the song of the Bachelors Machine | 
			
				
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 | -by being in contrast- | 
				
				
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 | were in harmony with each other. | 
				
				
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 | But it is as if their songs | 
				
				
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 | no longer fit together, | 
				
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 | as if they sound off-key! | 
					
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 | The Bride has adjusted to modern times: | 
				
				
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 | her undulating movements | 
				
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 | has been transformed into zeros and ones | 
				
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 | which she then translates with machines | 
				
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 | attached to her body. | 
				
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 | Her horizon has moved forward, | 
				
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 | she possesses a Speaker now. | 
				
				
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 | And when she moves too far | 
				
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 | from her satellite | 
					
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 | she picks up her backpack-missile to | 
					
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 | relaunch herself to her station. | 
					
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 | But the Bachelors have not kept up with her: | 
				
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 | their memory is less vast | 
				
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 | their calculations not as fast | 
				
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 | their lenses too concave too convex | 
				
				
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 | their hearing not acute | 
				
				
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 | their accounting too slow | 
				
	
				
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 | their satellite dishes too narrow | 
				
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 | they seem unable to receive her voice. | 
				
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 | The Bride and the Bachelors are splitting up! | 
					
				
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 | The Bride this evening will announce | 
					
				
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 | the how and why. | 
					
				
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 | So stay tuned. | 
			
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 | And listen...... | 
			
				
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