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The ah, the oh song. |
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The ah, the oh |
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is an ex, an im |
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an impression, an expression. |
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The moment the express appears |
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the impress takes off. |
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The arrival of the impress |
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is the moment for the express |
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to go on its way. |
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Thief and police, sun and moon |
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at equal distance |
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in pursuit of one another. |
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The ex, spreading, showing |
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giving, exposing the light |
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Exclaiming ah |
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all that from ex emanates |
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As it acts |
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so is its image |
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so is the impression it makes. |
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The im, absorbing, inducing |
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tempting, attracting |
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collecting light |
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darkness |
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but also exclaiming oh |
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all that is in and im |
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as it acts, so is its image |
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so it expresses itself. |
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The ex, the im |
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both must be |
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in my moving scene. |
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How else can I myself express, impress |
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cast my eye upon |
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or be impressed by it? |
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The ex who acts and active is |
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The im who passive is |
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One interacting with the other, the other with the one. |
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Images of the senses |
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Constantly merging into each other |
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but they never can be seen |
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neither ex nor im |
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without bearer or body |
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without grip or anchor |
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without heh or hoh |
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to keep them apart |
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to create a robe |
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where from to leave |
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where to with invisible strands |
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long or short |
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they are connected |
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and where to sooner or later |
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after myriad adventures |
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they will return. |
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Ah, oh! |
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heh, hoh! |
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