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 | Movement 4   | 
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 | This is the move | 
		
				
				
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 | dividing movement  five in waving parts, | 
						
				
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 | creating a slower tempo and a clearer flow. | 
				
				
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 | Time that self multiplies, | 
					
				
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 | Space that self divides. | 
				
				
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 | The heh, the hoh take smaller paces | 
				
				
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 | around the hole into which the signals drop. | 
				
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 | Impression follows expression later on. | 
				
				
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 | Thus they divide their energy | 
				
				
				
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 | standing on the circumference | 
	
				
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 | as prescribed by movement  5. | 
				
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 | First to vanish is expression | 
				
				
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 | and impression will pop up | 
				
				
				
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 | opening the window. | 
		
						
				
				
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 | Next to vanish is impression | 
					
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 | and expression surfaces | 
			
				
				
				
					
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 | opening the door . | 
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 | Area exposed, | 
		
				
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 | that dominates and impression makes | 
				
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 | where the signals of the senses | 
				
				
				
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 | from light and darkness | 
				
			
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 | the ah the oh, the ex the im | 
				
				
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 | from all sides can meet. | 
				
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 | Framework ready, an activated | 
					
				
				
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 | pattern of movement | 
				
			
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 | where all that advances | 
					
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 | must flow through | 
		
				
					
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 | heh hoh ah oh! | 
	
					|  | 
			
					
			
				
					
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 | The third movement | 
						
					
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 | signals from all over | 
				
						
					
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 | meet with each other, | 
		
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 | The second | 
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 | (and the last where color creates the moves) | 
				
						
					
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 | where the object | 
						
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 | is exposed when it turns | 
				
				
							
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 | sharp and in detail. | 
				
							
                
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 | The first | 
	
				
						
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 | (the movement of diagonals) | 
							
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 | which keeps and embraces | 
	
			
						
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 | all that  moved before | 
							
					
					
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 | still must be named and recited. | 
				
              						
											
                
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 | A next time, where and when I do not know | 
									
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 | I shall express it and explain. | 
									
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 | Then you too will know if  the movement  caught | 
				
				
									
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 | that enticing signal where it was headed for | 
				
			
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 | or if it is still elusive. | 
				
	
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 | Follow me with dedication, there is more to come. | 
				
		
				
										
				
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