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 | Movement 5   | 
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 | Arrived at the movement of the crossing lines: | 
		
				
				
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 | the wheel of color starts to turn. | 
				
		
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 | Like the movement is, so it is displayed: | 
				
				
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 | The signals indicating direction and sense | 
					
				
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 | The ex, the im are its identifiers. | 
	
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 | Impact, sensation, | 
				
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 | movement escapes! | 
	
				
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 | In fits and starts it takes off | 
				
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 | en route to follow the pulse! | 
				
				
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 | Time multiplying | 
				
				
				
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 | place dividing | 
	
				
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 | An interval of time and space | 
				
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 | with beginning and end. | 
			
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 | What exactly happened? | 
				
							
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 | It is a novelty, something different | 
		
				
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 | this is what happened: | 
					
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 | fast as a line, straight as ruler | 
			
				
				
					
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 | in one movement back and forth | 
				
				
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 | but moving in one direction, | 
			
					
				
				
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 | the heh, the hoh | 
				
			
		
				
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 | turn themselves inside out and trace a giant outline | 
				
			
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 | around the sensation | 
				
				
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 | that suddenly splits with the speed of light | 
				
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 | into signs of light and impression. | 
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 | They drop from the outside | 
				
			
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 | precisely into the middle, one after the other | 
					
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 | of a hole Ð or a screen? Ð | 
				
		
					
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 | where they pass through or are collected. | 
	
				
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 | Initially the heh will vanish and the hoh pops up | 
					
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 | to protect the space. | 
	
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 | Next the heh appears and the hoh will vanish | 
					
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 | Guardian from and for both sides. | 
					
			
				
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 | Framework swinging back and forth | 
				
						
					
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 | In movement but stationary. | 
				
						
					
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 | Closed court, secret terrain. | 
		
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 | Patterns of movement | 
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 | That all that advances | 
				
						
					
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 | must pass through! | 
			
				
				
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