|
 |
|
This is the movement of parallel lines.
|
|
As the movement is, so it is reflected
|
|
|
The signs for "stop" and "hoh"
|
|
and for "heh" and "move".
|
|
are its identifiers .
|
|
|
Movement 6
|
|
|
Virtual place |
|
no time lapse in between.
|
|
Time multiplies
|
|
space divides
|
|
in no time at all |
|
indivisible
|
|
an atom of time
|
|
that spreads everywhere
|
|
in a thin layer, always.
|
|
|
Tween place
|
|
without beginning or end
|
|
moving left of yet another object
|
|
as it makes its moves
|
|
in the center.
|
|
|
Solely a vehicle
|
|
of transportation
|
|
the clicking of a contact
|
|
before there ever was.
|
|
|
It is the movement
|
|
that remains in its place.
|
|
the movement of lines that never deviate
|
|
of the comparison
|
|
that always stands.
|
|
|
It is the movement of
|
|
of light that shines through,
|
|
of translucency, of transparency,
|
|
of total similarity.
|
|
|
It is the movement of reflection
|
|
upon the water's surface
|
|
a seduction to the eye.
|
|
|
It is the whirlpool movement
|
|
in a vortex of time
|
|
pulling all up to its tip, held in its grip.
|
|
|
It is the movement of light without color
|
|
of the channels of
|
|
the bearers, the carriers
|
|
waiting and filled with anticipation
|
|
until they can bear or carry.
|
|
|
It is the movement of
|
|
of a length of yarn
|
|
of a weave without fill.
|
|
|
Constantly there is that signal
|
|
looking alike, seemingly similar,
|
|
but with an opposing movement
|
|
Light that does not seem to draw closer
|
|
enchants and attracts me
|
|
entices and holds me
|
|
that tells me
|
|
to start moving.
|
|
|
Since it takes up space gigantic,
|
|
covers time infinitesimal
|
|
as the greatest common divisor, and
|
|
the lowest common multiple,
|
|
All that is movement
|
|
must exit to entrance |
|
must exit to movement number 6! |
|
|
