From: Songs of The Bride, The Hague Satyres. |
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The Bride and the Last Two Bachelors in the Hague Municipal Museum | |
the Lackey and the Juggler of Gravity | |
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Within the framework of some of some |
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The Large Glass is on loan to The Hague Municipal Museum: |
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Deathly still she hangs in a room |
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pressed between two plates of glass |
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according to her Fathers design. |
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The viewers revolve in admiration |
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around the Bachelors on the bottom |
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and the Bride on top of the Glass. |
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Because of the rotation of those masses |
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around the plane |
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because of the rotation of the third dimension |
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around the second |
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- the room turns along! - |
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a fourth dimension unfolds itself |
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enveloping the other three. |
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Now she can escape from the plane |
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in which she was imprisoned since 1923: |
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along perpendicular lines she expands |
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Into the third and the fourth dimension |
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from where she projects herself back |
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to the Hague Municipal Museum |
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but now in freer form! |
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There she drifts by the rooms |
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containing the works of art. |
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She saunters she hops she skips and glides |
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she slips right through a wall |
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and journeys back four, five year in time...... |
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Music from a piano is heard, wine is served |
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inaugural night! |
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Artists display their work. |
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is not it beautiful? |
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could this be the home of the gods? |
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would she meet Dionysus and Apollo here? |
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Suddenly she stops. |
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What does she see? |
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She stumbles |
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she misses a step |
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her own work hanging on the wall! |
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the combinations she found years ago |
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point by point transfered |
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to a room in the museum? |
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and a Bachelor standing there? |
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claiming to be the author? |
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wearing her gown? |
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but not carriyng Her Emblem? |
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Is that not against the rules of etiquette? |
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Who is his sponsor? |
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Who was is muse? |
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His Muse was not a young woman |
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as portrayed sometimes in paintings |
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bending nonchalantly over the artist |
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with an inspiring word or image here and there. |
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His muse was an old spinster |
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who under pretext of dubious ideals |
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taped conversations of younger friends |
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and passed them on to those |
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lacking their own inspiration. |
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He does not even suspect |
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that he has shamed Her Trust. |
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Might that not have been the reason |
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why their father did not put him in the Glass? |
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It was early on apparent that |
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he too skillfully juggled with Gravity. |
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Because they regard her courtesy |
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a weakness |
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Because they took advantage |
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of her Timid Strength |
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she judges them and condemns them both |
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to the hell of Her Esthetics |
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where in Eternity they will |
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photograph, make copies, cliches and plagiarize |
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all what already was done by others! |
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And soon their hobby becomes their punishment: |
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their wailing and complaining in Hell |
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sound like music to her ears! |
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