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 | THE LIGHT FIELD | 
			
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 | EMOTION AS IMAGE AND APPEARANCE | 
		
				
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 | The First, the First of the Firsts | 
				
				
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 | Only through the Sign can I | 
				
				
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 | present the First Image | 
					
				
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 | Only through the Sign | 
				
				
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 | can you get to know Her. | 
				
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 | That is how the heart speaks. | 
				
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 | First Impression or Initializing Image | 
				
					
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 | The First of The Firsts: The One Field. | 
				
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 | There is but one | 
				
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 | Image before there is a real image, | 
			
				
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 | Image that is present before it appears. | 
				
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 | One with the scene | 
				
				
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 | Two components, one perspective. | 
				
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 | Drive, driven id! | 
				
				
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 | The First Impression | 
					
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 | that persists. | 
			
					
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 | With its own quality, | 
				      
				      	
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 | and its own personality, | 
		     	
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 | neither looks up or back | 
	
				      	
				      	
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 | and does not attach. | 
	
				      	 
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 | Lively image | 
				          
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 | source that feeds and strengthens | 
				      
				             
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 | all that follows. | 
				            	
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 | one line bisecting | 
                  
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 | one heart | 
				      
				      
                  
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 | one perspective | 
                
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 | Initial emotion | 
				
				
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 | There is what is | 
			
					
				
				
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 | nothing else. | 
				  
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 | Unlimited potential | 
				
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 | all is still possible, | 
				
				
				
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 | where what can be imagined | 
				
			
				
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 | can be made image. | 
						
		
				
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 | Place of | 
				
				
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 | passion and power of imagination. | 
				
				
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 | So I imagined the First Impression, the First of the Firsts | 
				
						
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 | Between me and the unimaginable scene. | 
		
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