|
|
|
|
The Second, the Second of the Firsts
|
|
|
Only through the Sign
|
|
can I move from Initializing Image
|
|
to Image of Encounter
|
|
Only through the Sign
|
|
can you see her.
|
|
|
That is how the heart speaks.
|
|
|
Contact Image , First Effect
|
|
Repeat of the First of the Firsts
|
|
|
The Second of the Firsts: the Disturbed Field
|
|
that overlaps the One Field.
|
|
|
There are Two
|
|
|
A tight grip!
|
|
This, that.
|
|
Here and there. |
|
Struck by one or another, incident, fact!
|
|
|
Being touched, touching
|
|
A shock, a stroke or jolt
|
|
that moves the heart.
|
|
Images of emotion, one causing the other to exist:
|
|
One after the other
|
|
spreading all around.
|
|
That is how the heart sees.
|
|
|
Two lines crossing
|
|
Two hearts
|
|
Two perspectives
|
|
|
The Initializing Image
|
|
-the Image that arrived first, The First of the Firsts -
|
|
retreats into it.
|
|
|
It is unclear
|
|
immeasurable
|
|
Where this Image
|
|
had its origin
|
|
and how far its influence reached.
|
|
So strong was the shock
|
|
So intense the emotion.
|
|
|
So I imagined the Image of Encounter |
|
- the First Effect, the second of the First Group -
|
|
As a link between me and the scene. up
|
|
|
|
|
