|
|
|
|
The Third, The Third of the Firsts
|
 |
|
The Third of the Firsts is the Sign
|
|
that encompasses The First Impression |
|
and the Image of Encounter (or First Effect). |
 |
|
That is how it goes.
|
 |
|
Sign, Second Effect
|
|
Repeat of The First Effect
|
 |
|
-The image that arrived First, retreats into it.
|
|
The image that arrived Second, peeks out of it -
|
 |
|
The Binding Field that overlaps the Disturbed Field.
|
 |
|
And now there are three
|
 |
|
Simultaneous sign of Image and Medium
|
|
Not only does it move to and fro
|
|
now image, then mediator
|
|
but also, prompted by the First Impression,
|
|
the Lively One
|
|
oscillates
|
|
between Image of Encounter -the realistic-
|
|
and Initializing Image -the imaginatif, fantasizing -
|
|
while interconnecting and contextualizing.
|
|
Repeatedly
|
|
creating pattern and rule
|
|
while its searchlight rotates
|
|
It identifies and sketches
|
|
retroactively
|
|
with the finest profiles and the tiniest circumference
|
|
the First of the Firsts and the Second of the Firsts.
|
 |
|
Thus with Their Sign the entire First Group
|
|
is positioned in front of the Scene
|
|
and makes me feel my way into it.
|
 |
|
That is how it lives in my heart.
|
 |
|
And that is how it would have continued
|
|
to and fro from fiction to fact
|
|
from Initializing Image to Image of Encounter
|
|
-and from Scene to Sign and from Sign to me-
|
|
if a new Image had not emerged (Live!)
|
|
whereto it transports |
|
all it stores (and itself)
|
|
away from the reign of the heart
|
|
to that of the mind. up
|
 |
 |
|
|