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The Third, the Third of the Fourths
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The Third of the Fourths is the Sign.

It gathers and anchors

The First Impression (the Anticipating Image)

and the Intersecting Image.
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That is how the heart speaks

with the mind.

That is how it is expressed

and portrayed.
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That is the Law
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The horizon attained. Time is up. I must deconstruct.

I have gotta turn over.
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A displacement took place, a shift

The search light does not focus

high or low

on a larger or smaller part

but -crooked, asymmetrical-

on the smallest indivisible part,

wherein the entire mass

the First, the Second and the Third of the Firsts

the First, the Second and the Third of the Seconds

the First, the Second and Third of the Thirds

and the First and the Second of the Fourths

have gathered itself microscopically small:

pigment, powder, dust.
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The accent has changed

the shape not anticipated

it does not belong

it stands apart.
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Final effect:

Actual clue and tangible proof

that force was in play

and impression made.
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Reason why the series was created.
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Image as complex as

the scene in front of which it places itself.

No longer an Image, a mere cipher.
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Extreme point of sensation:

The Prince finds the far away Princess.

He dies in her arms.
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The Image unravels, breaks law, capsizes:

With all that it holds and remembers including itself

as it divides into another dimensions,

it tumbles.
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In search of the Ultimate First, the Vivacious One

now missing,

the Third of the Fourths, the fourth Third, the Sign

starts moving

and itself becomes First

Center from where will perform in Real Time

what was pre-imaged in the Series.                                                 up
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